Directory of Modern and Abstract Art


Click Here for Breaking Art News

Click Here for the latest Art Essays

 

 

NEW: To see an exhibit of Outsider Art


Click on Yurica's work here:

 

 

To see an exhibit of Agnolo Bronzino's
drawings c. 1550's

Click on Yurica's work here:

 

 

 

To see an Audio Slide Show of
David Hockney's New Landscapes

Click on Yurica's work here:

 

 

To see videos of David Hockney painting his
latest landscapes in Yorkshire, (clips 1, 2, and 3)
from Coluga Pictures

Click on Yurica's work here:

 

 

To Read the New York Times article on
Hockney:
Click on Yurica's work here:

 

 

To see the Audio Slide Show of
Kandinsky at the Guggenheim

Click on Yurica's work here:

 

 

 

To see the Audio Slide Show "Through
the Eyes of Richard Avedon"

Click on Yurica's work here:

 

 

 

To see the Slide Show of the Metropolitan
Museum of Art's New Wing

Click on Yurica's work here:

 


To see the Slide Show of Pierre Bonnard's
Late work


Click on Yurica's work here:

 

 

 

To see the Slide Show of Cezanne and Beyond
Click on Yurica's work here:

 

 

 

To see the New Audio/Slide Show of Edvard Munch
Click on Yurica's work here:

 

 

 

To see the slide show of Picasso and the Masters
Click on Yurica's work here:

 

To see an interactive slide show of The Late Great Picasso
featuring Picasso's late-in-life-paintings with audio

Click on Yurica's work here:





Click here to see the "Exhibit of Contemporary Spanish Jewelry"

 

To see an audio slide show on "Weaving, a Navajo Tradition""

Click on Yurica's work here:

 

 

 

To see the daily masterpiece exhibited at the
Rijksmuseum

Click on Yurica's work here:

 

 

 

To see Yves Saint Laurent and his partner's
lifelong private collection of art sold at auction

Cick on Yurica's work here:

 

A Slide Show of "Art's New Numbers"
Recent Auction House Sales

Cick on Yurica's work here:

 

 

 

To see "The Beginning of German Expressionism"


Click on Yurica's work here:

 

 

To see "Tangled Alphabets at the MOMA"


Click on Yurica's work below, which, like her drawings
for
the Cipher File, were created before she became
aware of Mira Schendal's work in South America.

 

 

To see the incredible art of Carl Gustave Jung

Click on Yurica's work below.

 

 

 

To see the Video:
"Guggenheim Museum Turns 50"

Click on Yurica's work here:

 

 

 

To see the art and access excerpts from
The Lost Book of Wisdom

Click on Yurica's work below:

 

 

To see the Impressionistic work of
Gustave Caillebotte in a slide show,
click on his painting, "Oarsmen Rowing
on the Yerres," 1877 below:

 

 

 

Exhibits, Galleries and Art Museums:

 

 

 

The Artist Is Watching by K.Yurica

 


Featuring:

1. Exhibit of Selected Art


2. Abstract Paintings of Katherine Yurica


3. The Cipher File Drawings by Yurica


4. Political Art of Yurica


5. Art Essays and Articles, Plus Current Thoughts in Art


6. Directory of All Political Art on this Site

 

 

 

Exhibit of Selected Art

 



Terrace (Detail) by Claude Monet


Reclining Nude by Modigliani


Lichtenstein In the Car

Gift by Guston

Puzzle by Vija Celmins


Two Paintings by Richard Pettibone

Pablo Picasso

 

Three Dancers 1925

Guernica, 1937

Les Demoiselles D'Avignon 1916

Massacre in Korea, 1951

Girl in a Chemise 1905

 


Piet
Mondrian

Blue Plane

Broadway-Boogie-Woogie

Lozenge

Neoplastic




Jackson Pollock



Greyed Rainbow, 1953

No. 18, 1950

Lavender Mist


Pollock Web Tour





Mark Rothko


Homage to Matisse

Red-Orange-Tan


Untitled


Pink-Yellow


No. 7-19

No. 3_br



Richard Artschwager
Three Women,




Frank Gehry
Wiesenthal Museum Tolerance

 

 

 

 


Modern and Abstract Paintings & Drawings by Katherine Yurica

 

Mother With Two Children
by K. Yurica



Abstract Ideas I

Regeneration
Saturday Night Listening
Townhouse
Across from Here
Transpositional
Vernacular

Vortex

 

Abstract Ideas II

Application
Architecture
Exodus
Fading Memories
Radio

 


Images With Color

The Singing Nun
Mother with Two Children
The Planter
The Whole World
The Women
Afterwards At the Restaurant
Encasement
Corporate Family
Epiphany
The Last Days
Across the Street Only Yesterday

 



The Whole World 2


 

 

The Cipher File Drawings



 

 

 

 

 

 

 

Honey and Brine: Yurica reverses Botticelli's Flora




Compare Yurica's pencil drawing of Botticelli's Flora
shown here and done in 1971 with Botticelli's original



Now: 40 Yurica pen and ink drawings of the masters.

 

 

 

 

 


 

 

 

Political and Other Indexed Art by Katherine Yurica
Shown in Exhibits on this Web Site

To read about the size, medium and other information
on each painting, click on the "Text"link.

A Conflict of Intere..> 140k
A Conflict of Intere..> 1k

Arthur Anderson113.jpg 113k
Arthur Anderson113.html 1k

Artist's House172.jpg 172k
Artist's House172.html 1k

Board Meeting086.jpg 86k
Board Meeting086.html 1k

Boats at Bellingham0..> 116k
Boats at Bellingham0..> 1k

Confrontation0162.jpg 162k
Confrontation0162.html 1k

Corp.2.0182.jpg 182k
Corp.2.0182.html 1k

Corp1.122.jpg 122k
Corp1.122.html 1k

Denver Commons0163.jpg 163k
Denver Commons0163.html 1k

Ecclesiastic Portrai..> 134k
Ecclesiastic Portrai..> 2 1k

Enron the Terrible10..> 102k
Enron the Terrible10..> 1k

Epiphany in the Libr..> 122k
Epiphany in the Libr..> 1k

Gardening107.jpg 107k
Gardening107.html 1k

Held Without Trial01..> 2186k
Held Without Trial01..> 1k

House With Views137.jpg 137k
House With Views137...> 1k

Jar Dwellers101.jpg 101k
Jar Dwellers101.html 1k

Merrill Lynch Bullis..> 101k
Merrill Lynch Bullis..> 1k

PhotoOp76.jpg 76k
PhotoOp76.html 1k

Preemptive Strike119..> 119k
Preemptive Strike119..> 1k

Puerto de Suenos106.jpg 106k
Puerto de Suenos106...> 21k

Reading Room145.jpg 145k
Reading Room145.html 1k

RepubWomen'sCharity1..> 107k
RepubWomen'sCharity1..> 1k

Republican Party102.jpg 102k
Republican Party102...> 1k

Rowing Corp122.jpg 122k
Rowing Corp122.html 1k

Sailing on Lake What..> 97k
Sailing on Lake What..> 1k

Still Life in the Ye..> 130k
Still Life in the Ye..> 21k

Submission84.jpg 85k
Submission84.html 1k

The Artist is Watchi..> 97k
The Artist is Watchi..> 21k

The Carrousel91.jpg 91k
The Carrousel91.html 1k

The Women134.jpg 134k
The Women134.html 1k

Watchman125.jpg 125k
Watchman125.html 1k

Whistle Blower's Man..> 106k
Whistle Blower's Man..> 1k

Working Elderly76.jpg 77k
Working Elderly76.html 1k

Yard Dancers 152.jpg 152k
Yard Dancers 152.html 1k

 

 

 

 


 

 

Art Essays and Articles

 

 

Regeneration by K. Yurica

 

 

 

Latest Articles

 

Gustave Caillebotte: The Reluctant
Impressionist

By Holland Cotter

Caillebotte could afford to be private, because he was rich.
He was born in 1848 to a haute bourgeois family in Paris,
and he grew up during the years that the medieval city was
being destroyed and a modern one — more sanitary,
shopper friendly and police
surveyable — was being built.

 

 

 

Pierre Bonnard: The Late Interiors

Jed Perl
Wednesday, April 01, 2009

There is a tropical heat in Pierre Bonnard's late
paintings. This subtle hedonist, a contemplative spirit
with king-sized obsessions, regards the colors on his
palette as objects of delectation. Each stroke of alizarin
or orange or green paint that he works into
the canvas
has a life-giving power.

And see the New Republic's Slide Show of the
exhibit.

 

 

 

The Late Interiors' Bonnard Late in Life,
Searching for the Light
By Roberta Smith
January 30, 2009

By the last quarter-century of his long, productive career,
Pierre Bonnard (1867-1947) was deep into what might be
called his Red-Yellow-Orange Perio
d. These colors dominate
“Pierre Bonnard: the Late Interiors”

 

 

 

The Spiritual In Art

By Jed Perl
Published by The New Republic
February 18, 2009

The wheel of fashion, which turned Marc Chagall
and Georges Rouault into has-beens a few decades
ago, is turning again. These two misunderstood
moderns are being taken seriously. The rise of identity
politics in the intellectual world
has certainly played
a part.

 

 

Soaring in Art, Museum Trips
Over Finances


By EDWARD WYATT and JORI FINKEL

Yet by putting art ahead of the bottom line, the
Museum of Contemporary Art has nearly killed
itself. The museum has operated at a deficit in
six of the last eight years, and its endowment has
shrunk to about $6 million from nearly $50 million in
1999, according to people who have been briefed
on the finances. Now the California attorney general
has begun an audit to determine if the museum
broke laws governing the use of restricted money
by nonprofit organizations.

 

 

How the Culture War Has Spread
to the Fine Arts:

An Answer to H. R. Rookmaaker and
Francis Schaeffer

By Katherine Yurica

Should art be Christian? Should Georges Rouault
replace Picasso? In fact, the issue is one of
dominance rather than taste. The question is:
“Whose art shall reign supreme in our world?”
Christian art or secular art? But my question is,
“Should art be judged by the belief system of the
artist or his religious mentors or should it be
judged on the basis of the vision the work itself
presents to the viewer? 

 

 

Kurt Vonnegut,
Counterculture’s Novelist, Dies
By DINITIA SMITH


Kurt Vonnegut, whose dark comic talent and
urgent moral vision in novels like “Slaughterhouse-
Five,” “Cat’s Cradle” and “God Bless You, Mr.
Rosewater” caught the temper of his times and
the imagination of a generation, died last night
in Manhattan. He was 84 and had homes in Manhattan
and in Sagaponack
on Long Island.

 

 

The Art’s At L.A.
Where’s the Crowd?
By Edward Wyatt

JOHN BALDESSARI, the conceptual artist who
has long made his home here, for years gave
his college art students one piece of advice
when they graduated: Go to New York, the
capital of the art world. Now, however, Mr.
Baldessari
has a different view.

 

 

Frank Gehry: Corner of Art and
Commerce in Los Angeles

By NICOLAI OUROUSSOFF

HOW to find meaning in a centerless world?
For a half-century, that has been the question
facing the strip of corporate towers, cultural
landmarks and undeveloped lots known as
Grand Avenue in downtown Los Angeles.That
all began to change with Frank Gehry’s Walt
Disney Concert Hall, completed in 2003, which
raised the level of architectural
ambition for
Grand Avenue.

 

 

The Hammer Cleanup
Last week’s deal helps one museum
move on. What about LACMA?
By Christopher Knight

Nineteen years and one day ago, the late
chairman of Occidental Petroleum Corp.,
Armand Hammer, created the cultural equivalent
of an oil spill. He turned his back on nearly two
decades of pledges to bequeath his mostly modest
art collection to the Los Angeles County Museum of
Art, announcing a plan to open his own art museum
instead. Six years and about $100 million later, an
urgent salvage operation was underway. UCLA assumed
management of a troubled national laughingstock that
Time magazine had aptly dubbed
America's Vainest
Museum.

 

 

David Hockney and Friends


Though the artist doesn't think of himself as a
painter of portraits, a new exhibition makes the
case that they are key to his work.

By Matthew Gurewitsch

"Hockney is so famous, so popular, such a
great talker and character that it's easy to take
him for granted as an artist," Jonathan Jones, the
art critic of The Guardian, observed not long
ago. "If you’re a critic, it's tempting to give him
a bash. But Hockney is a significant modern
painter. He is one of only a handful of 20th-century
British artists who added anything to the image
bank of the
world’s imagination."

 

 

 

Art Is Among Worst-Performing
Investments, Merrill Lynch Says


July 19 (Bloomberg) -- Art is one of the worst
ways for investors to try to make money, even
as paintings by Picasso and Klimt sell for more
than $100 million apiece, according to a Merrill
Lynch & Co. study.

 

 

 

A Step Up in Responsibility

Michael Govan arrived April 1. He's schmoozed
donors, revised the expansion, bought art.
Why waste time?

By Christopher Reynolds
Times Staff Writer
June 4, 2006

Three days into his tenure as director of the
Los Angeles County Museum of Art, at 5 a.m.,
Michael Govan found the painting to hang
behind his desk. It's a blue-hued composition
from 1992 by artist Mark Tansey, two daring
young men on a hilltop with a flying machine
about 100 years ago. Except that these guys
are not the Wright brothers. They're the painters
who created Cubism, and the work's title is
"Braque and Picasso."

 

 

Clashing Cultures: Christian Art
vs. Secular Art

The Importance of Hans Rookmaaker
In Art and in the Life of Francis Schaeffer
November 2004 - V. 22 I. 9
by David Bruce Hegeman

This essay will introduce the reader to the cultural
war in art. It brings two clashing concepts face to
face: Should art be Christian? Should Picasso be
replaced by Georges Rouault? In fact, the issue is
one of dominance. Whose art shall reign supreme in
our world? The author of this article champions Christian
art. He makes H. R. Rookmaaker his hero. But
Rookmaaker praises Rouault's work over Picasso's
because Rouault painted prostitutes and judges the
way he, as a Christian, prefers prostitutes and judges to be
viewed: Rookmaaker says Rouault's prostitutes "are symbols
for prostitution, for cheap love for sale, for the depravity
of his time. His judges are akin to those of Daumier: they
stand for the corrupt courts of his time. He prophesies
against the
times in which he lives."

 

 

Artists in Midcareer and
Beyond Are Showing That
Experience Matters

By HOLLAND COTTER

Midcareer is a flexible category, defined partly
by age, partly by time on the job. Sherrie Levine,
a New York-based Conceptual artist who has a
fine show at Paula Cooper Gallery, qualifies on
both counts. Now just shy of 60, she had her
first gallery solo in 1974, and came into her
own in the 1980's with the wave of East Village
"appropriation art," work that lifted images from
art history and popular culture to comment on
history and
culture themselves.

 

 

 

Making Artists:
Warhols of Tomorrow Are Dealers'
Quarry Today


By CAROL VOGEL

Jack Tilton arrived at Columbia University on a
recent Saturday with a camera around his neck
and a venture capitalist by his side. It was a busy
day for Mr. Tilton, a Manhattan dealer known for
exhibiting the art of graduate students. He looked
at the work of 26 students in their first year of a Master
of Fine Arts program at Columbia, then struck out for
New Haven to do the same thing at Yale. John Friedman,
the venture capitalist, made that part of the tour a week
later. "I've collected for north of 30 years and have about
700 works of contemporary art," Mr. Friedman said.
"I mentor a lot of students
from Columbia and Yale."

 

 

 

Making Artists:
The End of the Great Big American Voice

By ANNE MIDGETTE

IN March, Jennifer Wilson, an unknown 39-year-old
soprano, suddenly burst onto the international opera
scene by jumping in for Jane Eaglen as Brünnhilde in
Wagner's "Götterdämmerung" at the Lyric Opera of
Chicago, just a day after singing the same character
in a rehearsal of "Die Walküre." Artistry aside, this is
a stunning athletic feat. Few people today have the
vocal heft and stamina to get through even one of
these roles, let alone take on
both back to back.

 

 

 

Making Artists:
Practice, Practice, Practice.
Go to College? Maybe.

December 21, 2005
By ERIKA KINETZ

Mark Morris possesses five honorary doctorates.
But he did not spend a day in college, rather
training for a life in dance at what he likes to call
"L'École of Hard Knocks." This, for him, consisted
of heading to Europe after high school to practice folk
dancing in Macedonia and Spanish dancing in Madrid.
He also spent a fair amount of time cooking chickens
and hanging
out at weddings.

 

 

 

 

The Ten Top Art Cities to Visit

By ShermansTravel editorial staff

Our top cities for art lovers are bound to stimulate
even the most blasé of world travelers, as they're
home to dozens of world-class institutions with
influential collections
of old and new masters.

 

 

 

Now on Sale: the Gehry Collection

The celebrities came out in droves to view
architect Frank Gehry's new line of bling for Tiffany's.


By Booth Moore
March 28, 2006

Imagine wearing a $1-million rendition of Walt Disney
Hall on your lapel? That was Frank Gehry's first thought
about designing jewelry several years ago, when he
proposed a brooch, covered in diamonds, to raise money
for the building project. Tiffany & Co. said no to that idea,
but the idea of a future collaboration didn't end there. Fast
forward to Sunday night, when Rodeo Drive turned into
Gehry-land, as more than 300 guests came out to fete
the famed architect and his new line of jewelry
and
tabletop items.

 

 

 

Ingres at the Louvre:
His Pursuit of a Higher Reality
By MICHAEL KIMMELMAN
PARIS — Outside the first gallery of the Ingres
show here at the Louvre, his gigantic painting of
Jupiter and Thetis from a distance might almost
be mistaken for a copy of itself — the colors are
so lurid and the surface is so smooth. No matter
how familiar Ingres is, like all great artists he
suddenly looks unfamiliar
whenever you see him.

 

 

The Collective Conscious
By HOLLAND COTTER


Contemporary art is a multibillion-dollar global
industry. But why does such a big deal look
so small, so slight, with its bland paintings,
self-regarding videos, artful tchotchkes and
shoppable M.F.A. artists-to-watch? There has
to be another way to go, an alternative to a
used-up "alternative." By far the most interesting
option so far, one that began to be news a few
years ago and has increased its visibility since,
is the work of miniature subcultures known as
collectives. Basically, art collectives do away with
the one-artist-one-object model.

 

 

How Art Appreciates —
It's a Class Act
Grayson Perry

I read that Damien Hirst’s accountant
reckons that the artist is worth £100
million. Maybe the richest an artist has
ever been? The working-class lad from
Leeds turned taxidermist, restaurateur
and master of his own three-ring circus
has done good. Death, business, spectacle,
branding, Hirst is the perfect artist for a time
when, as the critic Robert Hughes would have it,
“the only function left of contemporary art is
that of investment capital”. Boosted by an
influx of Asian buyers keen to hoover up the
classics of the modernist canon, the recent
sales at Sotheby’s and Christie’s in London
broke many records.

 

 

How Art Creates the Artist
By Katherine Yurica

What Carl Jung wrote in 1933 is as
applicable to the lives of artists and art students
today as it is to playwrights and poets and
writers on the web. Jung understood not
only the role that religion ought to play
in our lives, but also understood that the
artists, the poets among us, are the bearers
of spiritual wisdom and insights, born out
of the womb
of civilization itself.

 

 

 

Scandal Overshadows
Getty Villa reopening
Curator on trial in Italy accused of
exporting looted antiquities
Dan Glaister in Los Angeles
Saturday January 28, 2006

Today the Getty Villa in Malibu reopens after a
closure of more than eight years. The villa,
where the oil tycoon JP Getty lived and which
housed his original collection of art and antiquities,
has remained the spiritual home of the world's
richest art institution.

 

 

 

New Art City
How New York City Became the
Center of the Art World

With New Art City, an epic treatment of New
York’s rise to the international capital of art during
the post-World War II era, Perl now turns from
criticism to history. It is a massive story, and a
familiar one. On the eve of the war, a stream of
refugees had arrived in New York who formed a
kind of government-in-exile of
European
modernism.

 

 

 

Great Art: a Machine's View

Last week, a Dutch scientist said the Mona
Lisa's smile was 83% happy. What would he
make of some other famous portraits?

Aida Edemariam
Wednesday December 21, 2005

Nicu Sebe insists that he and his colleagues in
the computer science department at the University
of Amsterdam didn't expect the reaction they got
last week when it was revealed that they had
measured the precise significations of Mona
Lisa's smile: 83% happy, 9% disgusted,
6% fearful and 2% angry.

 

 

 

Raiders of the Lost Art

Less than a fifth of our public paintings ever
see the light of day - the others languish in
dusty boxes in backrooms and attics. But one
man aims to change all that. Andrew Ellis tells
Tim Adams how he and his team are putting
art's missing masterpieces back in the frame

Tim Adams
Sunday December 4, 2005

 

 

 

The Master Forger
John Myatt was responsible for the
biggest art con of the 20th century,
and ended up going to jail for it.
Now his story is being turned into a
Hollywood movie - and a prestigious
gallery is showing his 'genuine fakes'.
He tells all to Mark Honigsbaum

Mark Honigsbaum
Thursday December 8, 2005

 

 

 

Frenzied Buying but Not
all Sales are Final
Closing report: ArtBasel/Miami Beach

04 December 2005
By Georgina Adam, Jason Kaufman, Brook
S. Mason and M

Gisela Capitain and Friedrich Petzel (C14) were
celebrating with a bottle of champagne in the
stand they share yesterday, as they totalled
up their sales at the fair. “This is the best
we’ve ever done here,” said Ms Capitain.
Among her many sales were a large painting
by Georg Herold for around $500,000 and a set
of three Jorge Pardo wall sculptures ($65,000).
Another gallery director (who requested anonymity)
told The Art Newspaper: “We haven’t beaten our
art fair sales record, but with two more days to go
we could hit seven figures.

 

 

 

Latin American Art Goes Global

Record number of works sold at
ArtBasel/Miami Beach
02 December 2005
By Charmaine Picard

Latin American art, which used to be collected
mainly by Latin American buyers, is now reaching
a broader audience than ever before. “US, European
and Southeast Asian collectors make-up 50% of
the market today,” says Carmen Melián, director
of Latin American
Art at Sotheby’s.

 

 

Existential Superstar
Another look at Edvard Munch's
The Scream.

By Mia Fineman
Nov. 22, 2005

"I was walking along a path with two
friends—the sun was setting—suddenly
the sky turned blood red—I paused,
feeling exhausted, and leaned on the
fence—there was blood and tongues
of fire above the blue-black fjord and
the city—my friends walked on, and
I stood there trembling with anxiety—
and I sensed an in
finite scream passing
through nature."

 

 

Surrealism and the
Unconscious Mind

Unconscious desire, self-destruction
and despair - the dark impulses that
we suppress during our waking hours
have long been an inspiration for
artists and writers


Darian Leader
November 19, 2005
This is exactly the area that writers and artists
colonise. They explore not the rational goals of
human activity but what blocks these pursuits,
the impediments that give human life its richness
and its agony. By taking these dark threads and
magnifying them, they are faithful to the mysterious
world of desires and defences Freud
mapped out in
The Interpretation of Dreams

 

 


Damien Hirst Reigns
Supreme in Art World
by Charlotte Higgins
· First Briton to top ranking of
dealers and collectors
· Artist has more clout than
Tate director, list says

Damien Hirst is the most powerful person
in the international artworld - toppling his
own larger-than-life US dealer Larry Gagosian
and the Tate's mighty overlord Sir Nicholas
Serota - according to this year's Po
wer 100
list from ArtReview magazine.

 

 

Cutting-edge Young Artists Put
the Knife into Damien

Alice O'Keeffe, arts and media correspondent

On the face of things, Kate MccGwire and
Damien Hirst have a lot in common. They are
both British artists and, like Hirst, MccGwire's
career got off to a flying start when Charles
Saatchi bought one of her student works...
The differences between them, however,
indicate a growing schism between the
generations
of artists in Britain.

 

 

Award Means £30,000 Each for
Next-big-things in Visual Arts

Charlotte Higgins, arts correspondent
Friday November 11, 2005

The winners of this year's Paul Hamlyn
award for artists include one who destroyed
everything he owned; another who built a
huge concrete heated bench and let loose
a python atop it; and another who has made
a film about dogging. The award gives five
artists £30,000 each, and since its 1998
foundation has identified future Turner
nominees and now-famous artists including
Jeremy Deller, Anya Gallaccio, Yinka
Shonibare and Bank. This
year's winners are

 

 

British Political Cartoonist
in Era of the Enlightenment
James Gillray
By KEN JOHNSON

Most art has a limited shelf life. Minor forms
like caricature and political cartooning are
especially perishable because they depend
on the viewer's familiarity with forgotten
topics and personalities. The contemporary
caricaturist David Levine, for example, is a
fine draftsman, but the excitement of his
drawing is mainly in the way it transforms
the features of public luminaries we know
well through photographs. Will his art be
as compelling when his subjects have faded
from memory?

That satiric visual journalism can transcend
its time has been proved. (See Goya's "Disasters
of War," for instance.) And there are examples in
an exhibition of prints by the English satirist
James Gillray (1756-1815) at the New York
Public Library that cross the line between
interesting artifact
and still-exciting art.

 

 

Seeing Fahrenheit 9/11
Through the Eyes of an
Artist by
Katherine Yurica

 

Picasso:
When the Master
of Peace Did Violence
by
Jonathan Jones

 

 

Fernando Botero:
Turning an
Eye From Whimsy to War
by Juan Forero

 

 

Through the
Looking Glass:
the Next Step in Art?
by
Katherine Yurica

 

 

What Is Neo-Nabism?
by Katherine Yurica

 

Modigliani, an essay

 

 

Vincent:
The Evolution of a Master
Who Dreamed on Paper
You can still picture van Gogh, bookish
and fastidious, pouring out his thousands
of letters and drawings, private diaries in
words and images, sent to his brother and
to a few trusted friends, providing him with
a stability that he evidently could find nowhere
else in life. The Protestant preacher's son,
he dutifully recorded his constant labors
with pen and paper.

 

 

Van Gogh's Pen
A New York Times Editorial

It's almost impossible to think
of Vincent van Gogh without thinking
of the velocity of his career: just a
short decade filled with hundreds of
paintings and drawings before his
suicide in 1890.

 

 

Imitations That
Transcend Flattery
Richard Pettibone's Copies
By Roberta Smith

 

 

 

 

 

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Artist Ensnared by Patriot
Act
By Stephanie Cash. Since May,
buffalo artist Steve Kurtz has been the
subject of a highly publicized federal
investigation involving his possession
of bacterial
agents and lab equipment.

 

The FBI'S Art Attack
The Washington Post reports that an
internationally acclaimed artist, working
with unusual media in order to create works
of art that reveal the politics of biotechnology was
raided by the FBI and now is being
prosecuted under the Patriot Act as
a BioTerrorist.


Artists Subpoenaed
in Patriot Act Case

Three artists have been served subpoenas
to appear before a federal grand jury that
will consider whether their art falls
under the bioterrorism section of the
Patriot Act.

 


Art Gallery Owner Closes
because of threats and attacks
A painting showing naked Iraqi prisoners
being abused by U.S. soldiers brought out
the Hate Brigade in San Francisco.
Midst increasing violence aimed at
the gallery owner. Hate won!

 

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